To what crimes can we be forced to choose "minor evil"? What slogans can sanctify execution and the fire of war? Who's the butcher in a war where both sides hit civilians? Which values and norms die in the process of natural selection and bend under the burden of pragmatism? The masterpiece of Sergei Łoźnica “Natural past of Destruction” answers these uncomfortable questions.
Sergei Łoźnica is simply a Ukrainian manager associated with Kiev as his town where he grew up and developed. The Łobnica created 22 internationally recognized documentary films as well as 4 feature films. He was peculiarly celebrated for directing films specified as “Austerlitz”, “Donbass” – for which he received the award for Best manager in 2018 – or “Majdan”, referring to revolutionary activities in Ukraine in 2014.
War with German eyes
"Natural past of destruction" was created by W.G. Sebald, a German prosaic, essayist and poet. Born in 1944, as a young man, he discovered the Nazi past of his country, as well as his own household – his father served in the Wehrmacht. On emigration, he joined the University of East England, and his works gained designation besides in the United States. He is now considered 1 of the most crucial proseics of the second half of the 20th century. Significantly, Sebald wrote about the tragedy of history, about its uncomfortable threads that we would most like to bury in memory. In another words, he wrote about the natural decomposition and fleetingness of human memories. For this reason Sergey Łoźnica, directing the "Historia of natural destruction", reached for prose precisely this future one, due to premature death, Nobellist.
Daily killing
"Natural past of destruction" is simply a paper derived from fragments of black and white recordings of German and Allied bombings occurring during planet War II.
Together, like the clippings of archival newspapers, they make a collage of human suffering. In the kaleidoscope, we can observe moments before the bombings, as well as what followed.
Most archival long recordings are white and black, although sometimes they are colorful and show daily, usually life of civilians. With the eyes of the cameras we see passers-by gathering for a moment, street noise, smiling faces and ticking clocks. We besides see their little, safe planet scattered like a home of cards and how war takes distant the privilege of enjoying average everyday life.
The paper besides presents recordings of armed workers – most frequently women who scrupulously decision in their hands another made belt with bullets. We see the regular and unreflectiveness of their work. In the long term, it is intended to contribute to the demolition of the planet War II front, as well as among civilians – both Allied and German. A movie showing the flight of combat aircraft against the background of besides peaceful sky is simply a striking example of the sad finale of the city being bombed.
The common sins of the 2 parties to the conflict
Bombardments led by Luftwaffe and the Royal Air Force, as the movie proves, are burdened with the same guilt.
"Natural past of destruction" spares images of falling bombs, recordings of city debris and the erstwhile life of civilians – including the sight of a dead child.
The paper summarises, ironically, the communicative of both sides of the conflict. We are observing a cheerful speech by Marshal Montgomery to British workers, and we hear Winston Churchill saying that if the German civilian population wants to avoid bombings, they should decision out of the cities targeted by the British Royal Air Force. On the another hand, we see the equally cruel determination of German leaders, who, through Goebbels' cold voice, promise to respond to British attacks with equal brutality.
Shuffled – like cards handed out in a game that cannot be won – recordings of Allied and German actions together make a communicative of the film. They depict 2 societies making the same mistakes and recklessly murdering each other. Sergei Łoźnica adds any sound effects – the sound of aircraft engines, the murmurs of street talks, the metallic sound of falling bullets – nevertheless, these sounds only enhance the impression of sinister “silence before the storm”.
The paper clearly proves that fight for alleged values and in the name of the alleged higher necessity is very frequently just a communicative trick.
There is no justification for war, for on both sides people are killed, who in no way blame their existence. People who just want a simple, peaceful everyday life without suffering.
Praised in Cannes
The paper was produced in Germany and the Netherlands. It was created in 2022. "Natural past of destruction" is an excellent work whose class emphasizes the fact that its premiere took place at the Cannes global movie Festival in 2023. The work was received very positively by the audience and critics. It was besides widely commented on the ongoing war in Ukraine. The paper recalls that it was always civilians who were the main targets of the military attack, which unfortunately turns out to be tragic and universal fact besides in the context of current conflicts – Syria, Ukraine, Gaza or elsewhere. past keeps repeating itself. The movie manager himself during interviews, for example for France 24, does not avoid comparisons. He's talking about The return of planet War II horror in the thresholds of Europe and of human ignorance, which has declared peace in Europe to be an apparent state – 1 that does not request to be pursued or troubled.
The Madness of Another Guerniki
The masterpiece of Sergei Łoźnica is simply a painting of the movie Guernika – a part of Picasso's gruesome masterpiece. An effort to take an nonsubjective look at tragedies and past mistakes. It is besides a manifesto to inform against the still-going human Darwinism—the desire to execute on each another a natural selection and our request for a constant, brutal conflict between each other. Although “Natural past of destruction” depicts a spiral of demolition of planet War II, its pronunciation is highly timely. Is The destiny of civilians at war Does it look different today?
