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Paweł Kondratovich
Family Chronicle (2001–2002) [fragments]
## [Singing]
in the forest close the gravel pit gathered those who cooperate with those who in
They have contributed enormously from the restoration of the family’s erstwhile position
as well as those who made a microscopic contribution from recovery by
family of erstwhile position
I'm sorry.
opening with ex-grasants of the dresser beginning with those who
I heard no words.
I said after a while I added: beginning at the drawers
opening the dresser to those who have contributed greatly to
Breaking up the household foolishly I heard beginning at the drawers
opening the dresser to those who questioned the legitimacy of the employment of exterminators
I'm walking out of here. I heard her say E after a while.
added: beginning at ex-grasants of the dresser beginning at these
who made a large contribution to breaking up the household I heard myself
after leaving the falconry
I'm sorry.
opening at the grasants of the dresser beginning the dresser at those who are
In alliance with those who put sand in spokes, helpers like you
I heard in your heads erstwhile I left the falcon area she said E. after a while
added: beginning at ex-grasants of the dresser beginning at these
who cooperate with those who They took Ostrouch in 2 fires Damn.
I heard the freaks come out of the falcon beginning at the ex-grasants.
dresser beginning the dresser in front of those who put sand in the spokes
I heard the soul helper say after a while I added:
opening at the grasants of the dresser beginning the dresser at those who in
They've made a minimal contribution to getting the pater back.
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Paweł Kondratovich (1980) is simply a poet, educated art historian. He published 2 poetic books: Compliance (Bialystok 2024) and Disregard (Lodz–Kraków 2024, main prize in fresh Text Document). He published in “Two Weeks”, “Helikopter”, “Rita Baum”, “Elewator”, “Epei” and on J. A lover of Dutch painting and Scandinavia.
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Free row is the space of Liberté!, taking into account important, most progressive and dynamic changes in Polish poesy of fresh years. Poems will respond to current events, but besides avoid them erstwhile times require political silence, and passions are not a good advisor in interpreting reality.
Editorial by Rafał Gavin
