The summertime cannikula is ending, and so the time is coming for the next artistic season, the time of the offer, which has fixed and "creatively" will make everything we call anticulture. "Patriotic" commentators will again theatrically (about that!) teardrop up their robes, protest, sentimentally sigh, etc. At the same time they will not notice, as all year, that in the full country there is no shortage of counteroffer, which thousands of excluded Poles need.
Let’s start with the island: “We forgot everything; my grandpa was fucking... We forgot everything.It’s okay. ” And in fact – we do not remember anything – not only erstwhile it comes to the genocide in Volyn, which could be suggested by the quoted quote, but besides about the memory of what the rulers did only a word or 2 ago. They usage this memory without any shame, among another things, in order, as they tell us, to “depoliticize” the labour market, releasing those whom he has placed on the tables of the Law and putting on those stools his favorites, among whom there are no deficiency of people who are repeatedly compromised and politically and professionally. But we don't remember, and if we do, who's gonna forbid the ruling. Indeed, this is not justified by the fact that the predecessors, in a way for a change, of their appointees, were frequently able to "pull out of the hat." Unfortunately, national theatre scenes are besides an example of specified common machinations. Grzegorz Kempinsky wrote on his blog: “That erstwhile we thought that the Old Theatre had reached the absolute bottom, it was stuck in a bottom mule and it seems that it could not be worse, it will be next "directed" by Mrs Ignatjew and Mr Skrzyzanek. I promise you, unfortunately, it's not over yet, that it can be worse, much worseIt’s okay. ” It is, of course, the National Old Theatre in Kraków, in which for a long 4 years he directed the failed professional duo Raźniak and Bukowski. Their successors – mentioned above – are classical representatives of the alleged salon, with centuries-defined Marxist preferences of the worldview and career marked by directors and pathetic productions here.
W Warsaw's mesmerity of the national phase is obscured by the leaf of the bulldozer, which is Jan Englart (I compose – the bulldozer, due to the fact that fig leaves are not in this climate and are a small tiny on the capital anti-national of any kind). I'm overreacting? Well, this is simply a very circumstantial example – played there for years “The grandfathers” (as it turns out not only in Krakow can play with Mickiewicz). Let us quote from the review of Themida Stankiewicz-Podhorecka: "This performance is completely devoid of the climate of “Dziads”, which was created by the Polish witch, as well as Polish morals. From time to time, there is simply a deliberate ridicule, the bizarre pranks of heroes (...) It just sounds like ridicule... Many sad questions come to the mouth after seeing this performance as “The Children”. There is no exemplified drama, there is no great, undeniable artistic beauty, there is no rapture, rhythm, music – nothing that is inscribed in the poetic phrase, which was besides nailed by the prose way of interpreting the text. 1 thing is certain – knowingly it was expected to be funny, not national, distant from PolishnessIt’s okay. ”
It's only 2 of the 10 bastards that ravage Polish culture. And if individual truly wants to get acquainted with this without the problem of being in the theatre, let him take a deep breath and dive into the atmosphere of the event called "Campus Poland of the Future". (It is worth knowing that this was financed by the Adenauer Foundation, which – all the more so – is maintained by the German government.) Campus, with the finals at the end of August, “creatively” developed the erstwhile thought of a woodstock oatmeal “Academy of Fine Arts” (oh, how beautiful!) This was described by the publicist Łukasz Jastrzębski, paying attention to the vulgar language of the participants, but above all to their complete ignorance: "Political orientation has frequently been changed to shaky sexual orientation. Their head horizon is closely created by powerful and influential... It was adequate to perceive to the problems that young people gathered at Campus Poland's Future – monosexual unions, in vitro refund, universal abortion, climate protection, decarbonisation, support for Ukraine, defeat PutinIt’s okay. ”
It is these patophani of the eight-letter life program (for the record: the first letter is ‘j’) that fill the audiences of theatre institutions and drink wine from plastic cups at the beginning of art exhibition offices. We can most likely argue whether the offer presented there has shaped them, whether they are the moral abnegators of this offer, but for the condition of our country cognition of what was “first” does not matter. However, it is more than crucial that we send all specified offers to the tree – in plain terms – together with their authors. This is besides the right direction for devotees of “green order” and apologets of evolution referring to the ape protoplast.
And the counteroffer? Of course, it is creationism, or Christian practice: “Let your speech be: yes, yes; no, no. And what is more, from the Evil 1 comes." Let us search in the art of God, let us search an offer in which He is most important. And erstwhile we get started, we'll find it – I warrant you, no large problem... And a small request: erstwhile you find it, let me know.
Tomasz A. Żak
