Star Wars were born with us, live with us, and die erstwhile we die. We should so not go unreflexively on the agenda over the resignation of Kathleen Kennedy, head of Lucasfilm, who left and was replaced by the duo Dave Filoni and Lenwyn Brennan. Filoni is to be liable for the creation site and Brennan for the money. In Kennedy's day, there was no creative individual who was let go. The productions were expected to be woke, and that was the only general directive. The hired writers and akin directors were to make a coherent communicative on the rule of sublimation among full chaos. Kennedy employed various people promising pears on the willow, after which they were erased. She finished out Indiana Jones, Willov, and Star Wars led into a severe crisis.
The phase has changed and with it the wisdom of the stage. What was erstwhile progressive became reactionary, as did Martin Navratilov. The French of LucasFilmu, however, are patriarchal, and on the wallpaper came the fight against the patriarchate, which is part of capitalism. Thus in 1 conviction 1 can describe the root of the problem: the public has in deep respect the fight against patriarchism and is so immature and undeveloped revolutionary that its patriarchate does not disturb. He appreciates the classical advantages of cinema's fresh adventure, like heros as a hero and maiden at his side. And I don't want to spend my helmet on revolution.
All right, I'm not going to dwell on the past, which is Kennedy's business. I'm going to think about the prospects that Philions have for us. The claims to it are about fanservices: it is about continuation: like Lucas in the Empire Counterattacks depicts the further fates of the heroes of fresh Hope (and does not throw them into the basket to put specified Holdo), so Philoni consistently draws the fates of the heroes of the Clones Wars, any Ahsoka, Bo Katan, etc. His productions improved after Lucas, so they straightened out different ones from the Precelles, specified as Anakin's transition to the dark side, etc. I'll admit I didn't watch it until now, after Mandalorian. There are many Bible references, and in Ahsoka it is in general a figure of baptism, choice of life, etc. While the shoal individual from the Akolyta spoke straight about gay Star Wars etc., Filoni sits inactive and does his job. And those aren't very volatile, so they didn't announcement that Philion's Star Wars are conventional and patriarchal. But they have any dissonase, something they sense, something that's not right, and that's why they're proud. This anxiety is being verbalized as complaining about fanservices. Fanserwis is the situation that in the Empire counterattacks we have heroes from fresh Hope alternatively than any breech.
The problem here is that criticism assessments are scattered with ratings of viewers. Critics score a conflict with the patriarchate and the public a cool movie. So Philoni has to do it so that the critics don't start riding on him and the viewers are happy. Fans are not uniform either, due to the fact that specified Akolita has a group of supporters, however. As a rule, the lefties like the Last Jedi and Akolita and the Mandalorian rights. These productions are illustrated by appropriate ideological values. Holdo, for example, is uncommunicative and stupid.
Filoni's general effort will be to movie Mandalorian and Grogu. It carries a serious risk: it may be besides airtight for a viewer who does not know the series. A akin pain affects starter production. The recipients of the series are, however, a group smaller than the audience of the films. In addition, there appeared any pissed off in the nation after Xiagi Bobus, after Ahsoka, after the 3rd period of Mandalorian. I'm not saying it's right or anything. I just announcement he is. If the movie pops out of the blue, Cara Dunn is gonna be a success, and I don't know.
As for Andor, he didn't have an awesome audience, but advanced notes. So only those who liked it watched it. Which is any accomplishment (in the sense of good opinions) and an example of good publishing policy. I hope specified little successful, but niche series will proceed to rise.
Ahsoka (and Spock) behave like a Jedi, which makes them unfit to be the main characters. They're besides calm. There must be individual more emotional in the foreground. In OT, we had Luke, who was only just becoming, and in the pretzels Anakin, who was strange. It's unusual. (That's why they did the circus) The second problem is the request to decanonise the sects: if everything is to end with Snolek then you cannot tell a complete story.
That's how I see it, about for starters.
About Ahsoka:
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