The guest of Witold Jurasz and Zbigniew Parafianovich in the newest episode of the podcast The global study is Stephen Hardoch. The starting point is his latest book – Null. Conductors start talking with the question: what intention directed the author to describe the reality of the war in Ukraine. Stephen Hardoch with his right provocative honesty answers that he wrote this fresh for money. The subject of money in the conversation will come back erstwhile the podcast leader asks the celebrated for his courageous voice in public debate by Stephen Hardoch – where does the cowardice of so many participants of the Polish public debate come from? Is this truly a substance of deficiency of money, or is it insatiable, or is it simply cowardice? Can any “restraint” in giving opinions be explained by the deficiency or willingness to gain wealth? Witold Juras and Zbigniew Parafianovich ask Stephen Hardoch about his position on war. Are Ukrainians able to defend themselves for a long time? Do the soldiers inactive want to fight, or possibly the war struggles have tired Ukraine and the Ukrainians so much that they dream only of peace, even if this 1 was to be unjust? The author answers this question with a communicative from the title Null, the front zone. While there Stephen Hardoch was in a bunker with soldiers who spent not a fewer days or weeks in this tiny room, but a fewer months during which they were accustomed to this hard reality. The podcast's authors ask Stephen Hardoch whether the defenders of Ukraine, who stand on the right side in this war, are always good people, or may sometimes represent views with which it is impossible to agree. The author notes that the Ukrainian military is fundamentally different from most another modern armed forces of the world. It is simply a civilian army, and in it soldiers from both the utmost right and the environmental communes. All these groups, frequently having radically different pedigree, combined the desire to defend their homeland. Finally, the issue of Russian culture arises. Should Russian artists be called up? What should be different from those who support Vladimir Putin, those who stay neutral and effort not to speak? Finally, what about those who emigrated from Russia or remained in Russia, protesting 1 way or another against the war. Stephen Hardoch notes that unfortunately even people who support criminal ideology sometimes stay large artists. In the podcast there is besides the subject of returning from the hell of war. Will Ukrainian soldiers who have seen so much death and suffering be able to return to their old, normal, civilian life? Or will war stay with them forever and become part of their DNA?
