"Isola" is simply a fresh that reaches for the communicative of Marguerite de la Rocque. Goodman, however, treats it not as a ready legend, but as a material that can be developed, deepened and, above all, demythologized. She is not curious in the sensationality of the communicative of a female abandoned on the island, but what in this communicative usually remains unspoken: loneliness, fear, anger, as well as how the communicative of someone's life begins to live its own life, sometimes separated from facts.
