IGNAS THOURS – government SUCCESS

solidaryzm.eu 1 year ago

A fewer years ago, the exhibition of the painting of Ignacy Czwartos echoed. This artist in the post-communist UBekistan was marginalized, ignored, silenced, and, if it was said, usually accusing him of political inadequacy or allegedly "exposing Polish suffering." However, just after the work of Czętos was exposed in Warsaw's Zachęta, countless crowds were coming to see it. She was visited from all over Poland and the most amazing question was: “We have specified artists”?

Ignacy Czwartos is simply a student of Jerzy Nowosielski, although more can be seen in his work after the war cycles of Andrzej Wróblewski, who died in 1957. The paintings that we could see in Zachęta sometimes even make an impression of the continuation of Wróblewski's works, a subject limited to the martyrdom of Poles under German occupation. The 4th was as if he supplemented them with canvases depicting the most celebrated torturers from Auschwitz Birkenau, over which were written with a swab of German-language sentences specified as “Welcome to our planet where work makes free” or “Welcome to gas”. Just recalling the fact so apparent that the death factories built on Majdanek, Sztutów, Rogoznica, Oświęcim and hundreds of another places were monuments of German culture, bringing thunders to the Fourth. fresh excesses, with the engagement of the German authorities and police organized in 1 of the extermination centres in the national Republic of Germany, clearly explain why. The historical policy of our western neighbour has already reached specified a phase of slander, in which Poles can be counted as oppressors and Germans make the main victims of Nazism and planet War II. Germany, which shoots the most vilely lied films and from the walls remove the plaques commemorating Polish victims of German crimes, besides has an expanding influence on the form of Polish national memory. For decades now, in their schools, the full past of planet War II has been dealt with by two, to the ground, of course, with lying past lessons. In Polish schools, the same is realized present by Minister Nowack (how rightly called Barbara alternatively than Barbara).

The tragedy of the 20th – the eternal Polish past does not end in planet War II. His work besides addresses not only the subject of the fight against the second russian aggressor and how many Poles murdered by the Soviets. At the same time, the 4th - century canvases form a cycle not ending in 1945. The subject of the continuation of the paintings is extermination, which continued for respective years after the war. By 1956, at the hands of communist oppressors, not little than a fewer twelve (some historians list the number of 150 thousand) thousands fighting for the freedom of Poles were killed. This tragedy is described by a number of paintings by the Quaternus.

The artist, who was extracted from the margin of post-communist cliques for decades, prefers the most prominent representatives of contemporary painting and by 13 December last year leading the Ministry of Culture, became a typical of Poland at this year's Venetian Biennial. However, Donald Tusk's government would not have been himself if he had not tried to change that. And he did it with the hands of an individual incapable to behave better than an elephant sowing demolition in a porcelain store. Barłomiej Sienkiewicz, due to the fact that it is mentioned, almost on the eve of the beginning of the next edition of the biggest event in the planet of contemporary art, withdrew the previously reported exposition of Czętos. It's as if he didn't realize that this would only increase interest in the work of the persecuted artist. abruptly it turned out that virtually respective meters from the main exhibition rooms of Venetian The Biennale has its own premises in Venice, a wealthy Polish family. It was in her own premises that the works of the prominent and persecuted Polish artist were exhibited. The advertisement of this exhibition was made by the decision of Tusk and Sienkiewicz, so to see the paintings of Czwartos all day crowds come.

As seen by Tusk, the government of utmost mediocrity is incapable to decision without stumbling over its own legs. all step he takes is to harm Poland. But the actions of imbeciles besides have specified a feature that a loser who constructs his next bastard can step on a rake and bang them in his own empty head. It remains to these creatures to want that their subsequent villains besides prove to be beneficial to Poland, and for them – most devastating.

Artur Adamski

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