B. Ratter: If you do not want to remember what was here, you will gotta live it again.

"The town I retained and expanded its predecessors' conquests adequate to become a associate in the geopolitical game going beyond the area bounded by the Oder, Baltic, Vistula and Sudetes. In this game he demonstrated quite a few cunning and ability to foretell the long-term effects of his decisions. (...) At the Easter convention in Kwedlinburg in 991 Mieszko had already appeared as equal to the another masters of the Reich with the title "Slavic Prince" (dux Sclavonicus)".

The past of the beginning of the Polish state may besides be part of the Polish historical policy, called the policy of memory, conceived as the other of the policy of forgetting, the policy of not moving certain spheres of life, which should be a natural area of activity of the state.

About what constitutes historical politics and what is its manipulation, how our German neighbors conduct it, who during the plebiscite of the most popular German in past had to make a reservation that it could not be Adolf Hitler, and the word "national pride" was placed in the dictionary of prohibited terms, and how we can implement it, were discussed by participants of the gathering of the Krakow Historians' Lodge held at the Education Centre of the National History.

The invited guests , Jan Rydel, Maciej Korkuć , Wojciech Frazik conducted an analysis of the geopolitical situation of Poland, Germany and Russia in the 20th century, which is 1000 years after the success of Mieszko I. prof. Jan Rydel, a longtime German diplomat, spoke of the German state's methods of acting on behalf of the national interest of Germany, in order to improve the "ugly" image of 20th century past in the eyes of the outside world.

The theories about disposing of nationality are false. Germany simply cares about their national interests differently. Maciej Korkuć gave participants a large lesson on how to view our past and how to teach it. It is simply a pity that there were no politicians, journalists and writers in this lesson who effort without a reliable basis on facts, interpret decisions and actions from the Second planet War and sale their amateur historical communicative as a historical fact. We live in a planet where historical policies are understood as a policy of historical manipulation.

To us totalitarianism was brought on abroad bayonets, it was not our product.

It is crucial that in historical communicative we place large emphasis on what is the prosperity of our statehood, which we regained in 1918, which was not contaminated by totalitarianism, which from planet War II may have been defeated, could not rebuild as an independent state, but left us a immense capital of pride from what we call the Republic of Poland. This Republic of Poland belonged from the point of view of Moscow or Stalin, to destruct in order to build russian versions of totalitarianism on this land.

It is peculiarly crucial that we see a immense difference between the inheritance of the Polish statehood and the inheritance of the German or russian statehood.. We do not request a policy of historical manipulation, we can trust on the promotion of historical facts from the existence of our state.

Janusz Krasiński, Warszawiak, 11-year-old boy at the time of the outbreak of planet War II, the Scout of the Grey Serials, driven with the surviving population of Warsaw to the German camp Dulag 121 in Pruszkow. A insignificant witness of hell in Oświęcim, from where in the march of death, in a 200-man group of Poles, went to Dachau and there lived to be liberated by American soldiers. He returned to Poland in 1947.

He besides accidentally captured the ruins of the bridge of Kierbedz by photographing his household home in Warsaw with a friend lying in ruins. This photograph was utilized by a friend who was an agent to accuse Janusz of spying. Due to the young age of the accused, the court sentenced him “only” to the conviction of 15 years in prison.

"It was here that more than half a 1000 people were murdered with a shot in the back of the head" – in a prison cell in Mokotów begins the movie communicative Janusz Krasiński, a large writer, playwright, journalist, poet, filmmaker and above all man, narrator in the movie by Joanna Żamojdo entitled "Janusz Krasiński. Censored resume".

"In times of Solidarity, my wife and I bought this compartment in the woods. I hid in this compartment with my writing, I was afraid, I was terribly afraid that they could come here, do a search, take this book that was expected to be a witness to my world. And my planet was heroes, Poles destroyed in various ways by the commune in prisons, shot, hanged, dying in the forest, it was all my world.” He created a evidence to the demolition of the national identity of Poles, as did Aleksander Sołżenicyn, hiding in the taiga while writing the Gulag Archipelago.

The four-axis of Janusz Krasiński written in an excellent, rich literary language is simply a mature, poetic analysis of real and intellectually rich and spiritual figures of the Polish elite destroyed after planet War II. Destroyed with the statehood of the Republic of Poland, on which the fresh russian ruins were to be created. The historical fact and its narrator were to be annihilated or even rejected, forgotten.

Although the judgement of 25.08.1998 (sic! only after 10 years of “freedom”) Janusz Krasiński stopped being an American spy but “I felt like my books were inactive being released illegally” – he mentioned in the movie Joanna Żamojdo.

He wasn't wrong, he was sneaking into his home and respective CDs with the fresh were removed from the couch, fortunately they were incomplete versions, full of them already lying at the publisher's house. The money next door was not taken.

I had the chance to attend a gathering with those who knew our author and even watch those fragments of the movie that censorship cut out in 2007.

Well, the time of the creator of the GW judenrat, the father of the empire of “media” and the ideological indoctrination of the generation brought up on communist values, began long and lasting. The manipulation of historical policy was implanted with russian statehood by its supporters.

Below any fragments cut from the film, which could only have been made erstwhile the president of TVP was Bronisław Wildstein.

The scene from the film, the author stands in the place of a burnt-out building at 26 Senatorska Street. This is where my mom's sewing device lies in the rubble. My lead soldiers are buried here. The stage's over. And what did the cut-out part contain? “But I was born not in this house, this home is no longer there, these are Gomulk buildings where my father would never live. And on the another side of the street, the church, I was close to it “. Another fact the author was talking about, which was cut out of the film: "Then we moved to the Marinenszta 20. This home is not there either, it was the back of St. Anne's Church, I sat and painted, I served there for mass."

One more notable conviction which could not be said in 2007 and now it is possible to lose freedom, work, to be named fascist by a pack of communist pupils sowing hatred and taunting those values which our fellow Americans from the Republic of Poland, citizens of the world, graduates of the most excellent universities, winners of planet awards, builders of the large statehood of the independency period, world-renowned people of science, culture, business, invited by another nations of Europe to service their cognition there.

Because we have always been in Europe, as we can read in the book mentioned at the outset. My father hated Bolsheviks and Bolsheviks. Another conviction removed from the movie by most likely the same ones who issued death sentences for thousands of our countrymen is the inscription read by the author on the statue of the victims in Dachau:

‘ Regardless of the weather, they were kept outside the barracks for days. Above them was smoke from the crematorium, next door, behind the wire line saw likewise exiled women... Shortly after that, an SS female came to the women who were giggling out of the cold and fear of the cold and the women, in a carried-out van with lightning bolts on the collar, in boots with uppers, with a whip ending a part of lead and a bloodthirsty mouth of a sadistic whore who could only find satisfaction in the face, hailed them after 1 of the ranks. Then she beat the blood and trampled in the mud. Simon standing there, as well as them, at the endless appeal, and watching not to fall under his own bats, grasping the whistling of her whip, the groaning of the victims and the squeaking of the delight of cruelty, the thin squeal of orgasm under the appearance of the command.” – Face the wall, Janusz Krasiński.

In sex classes, sex researchers, mostly called "literaturist studies", prepared a set of readings and looked for answers to the question whether men who compose novels, reports, are unfavorable to women or possibly hatred women? George Pilch was convicted once. In 1 of his novels at the end, he killed a heroine.

Sentence like the 1 from the trial of Janusz Karsiński accused on the basis of a photograph with the destroyed bridge of Kierbedzia for espionage for American imperialism: Pilch hates women and that hatred in her books.

My characters are born and raised in a sense of dignity and respect for values, according to which women cooked a croupnik waiting for the return of men kissing their hands. And these values were not implanted into the 25 000 taught to work at the UB in 1947 by young men who found pleasance in shooting in the back of the head to then worship this noble business with liters of samogon. Hence, possibly the frustration of descendants.

What will sex researchers say after reading the description of the behaviour of the German capo from the Auschwitz camp? What's her "sexual identity"? Karkołomne, pseudo-scientific theories of the professorial body leading by meanders a group of infatuated and frustrated women as well as hatred of the post-burials of Bolshevikism and communism will not take my pride in the achievements of Poles coming from Poland within its current borders, Poles from the lands taken from Poland, Poles from different parts of the world, to which they were forced to emigrate due to the collusion of totalitarianisms.

Oh, my God.